{"id":2336,"date":"2021-04-06T19:45:35","date_gmt":"2021-04-06T19:45:35","guid":{"rendered":"https:\/\/sites.library.ualberta.ca\/ior-2020\/?page_id=2336"},"modified":"2021-04-06T23:11:01","modified_gmt":"2021-04-06T23:11:01","slug":"effhead1","status":"publish","type":"page","link":"https:\/\/sites.library.ualberta.ca\/ior-2020\/effhead1","title":{"rendered":"EFFHEAD#1"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"1024\" src=\"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-content\/uploads\/sites\/4\/2021\/04\/EFFHEAD-1-684x1024.jpg\" alt=\"\" class=\"wp-image-2365\" srcset=\"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-content\/uploads\/sites\/4\/2021\/04\/EFFHEAD-1-684x1024.jpg 684w, https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-content\/uploads\/sites\/4\/2021\/04\/EFFHEAD-1-201x300.jpg 201w, https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-content\/uploads\/sites\/4\/2021\/04\/EFFHEAD-1-768x1149.jpg 768w, https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-content\/uploads\/sites\/4\/2021\/04\/EFFHEAD-1.jpg 1000w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Submitted by:<\/td><td>Matthew Lapierre<\/td><\/tr><tr><td>Department:<\/td><td>Art &amp; Design<\/td><\/tr><tr><td>Faculty:<\/td><td>Arts<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>The No-Brow movement emphasizes the intersection between high and low culture, acknowledging their continuous dialogue, despite the severance between them. No-Brow collapses dichotomies between high and low culture by amalgamating art historical pictorial strategies of the old masters with counter-cultural influences from television, comix, graffiti, and cartoons. This undermines cultural hegemony and class-cultural hierarchies, and gives voice to artists with a range of cultural experiences. <\/p>\n\n\n\n<p>My work investigates psychic imaginaries through obscenity, humour, and sexuality. I challenge western institutional intelligibilities of taste, decency, and artistic practice with exaggerated transgressive imagery. The painting EFFHEAD #1 obfuscates boundaries between genres of abstraction and portraiture, and systems of representation.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><!--EndFragment--><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Submitted by: Matthew Lapierre Department: Art &amp; Design Faculty: Arts The No-Brow movement emphasizes the intersection between high and low culture, acknowledging their continuous dialogue, despite the severance between them. No-Brow collapses dichotomies between high and low culture by amalgamating art historical pictorial strategies of the old masters with counter-cultural influences from television, comix, graffiti, [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-2336","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/pages\/2336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/comments?post=2336"}],"version-history":[{"count":5,"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/pages\/2336\/revisions"}],"predecessor-version":[{"id":2503,"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/pages\/2336\/revisions\/2503"}],"wp:attachment":[{"href":"https:\/\/sites.library.ualberta.ca\/ior-2020\/wp-json\/wp\/v2\/media?parent=2336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}