{"id":5308,"date":"2025-05-12T09:39:05","date_gmt":"2025-05-12T15:39:05","guid":{"rendered":"https:\/\/sites.library.ualberta.ca\/ior-2020\/?page_id=5308"},"modified":"2025-09-19T15:42:41","modified_gmt":"2025-09-19T21:42:41","slug":"submissions-2025","status":"publish","type":"page","link":"https:\/\/sites.library.ualberta.ca\/ior-2020\/","title":{"rendered":"SUBMISSIONS 2025"},"content":{"rendered":"\n
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\"A<\/a>
Thinking Beyond the Classroom Walls: Using Virtual Chemistry to Overcome Resource Barriers<\/a><\/em>
by Abdulmalik Abbas<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Youth, Care, and the Fragile Thread of Hope<\/a><\/em>
by Aidan Lee<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"\"
A Cautiously Optimistic Agent<\/a><\/em>
by Alireza Kazemipour<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Magnified
Steel Canvas: Abstract Expressionism in Stainless Steel Surfaces<\/a><\/em>
by Allison Thome<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"\"
Walking in Two Worlds: Indigenous Language Learning in a Digital Age Using Virtual Reality Technology<\/a><\/em>
by Allyson Lynch<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Reflection
A Moment that Stayed With Me<\/a><\/em>
by Amber Hussain<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Electric
Bridging Nature and Innovation: The Future of Travel in Banff<\/a><\/em>
by Anna Gerami<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Manipulation of Memory<\/a><\/em>
by Anthony Gallipoli<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"An
Vibration of Hope<\/a><\/em>
by Antonio Vega<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Color-enhanced
Blossom of Frost, Fleur de Givre<\/a><\/em>
by Aria Khalili<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"This
The Crescent of Hope<\/a><\/em>
by Ashif Rahman<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Bucket of Mice<\/a><\/em>
by Bennett Grappone<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"~35
Unbroken Relationships<\/a><\/em>
by Brennan Stanfield<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Pass on the Teachings<\/a><\/em>
<\/a>by Carla Taylor<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Sunset
Twilight of Discovery: An Exhausting but Rewarding Journey in the Prairies<\/a><\/em>
by Chathuranga De Silva<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Relative
Distribution of Iron in a Mineralized Vein by EPMA<\/a><\/em>
by Cole Graham<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Three
Coming Full Circle: Honouring the Spiritual Element of Educational Research<\/a><\/em>
by Danielle Voyageur<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"My
BFF’s: Best Friends Fermenting<\/a><\/em>
by Domenic Marano<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Mussels
Tension in the Tides<\/a><\/em>
by Dustin Doty<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Raw
Cold Plasma Sterilization for Enhanced Food Safety
<\/a><\/em>by Ella Sun<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Two<\/a>
Styled Across Continents<\/a><\/em>
by Elsie Rebecca Osei<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\n
\"A
This is what I want to Remember, Always<\/a>
<\/em>by Fatema Albar<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Fresh
Spent but Spectacular<\/a><\/em>
by Gihan Wijelath Arachchige<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Blurred
A Flower of Hope Bridging the Divide: Exploring Cannabis Decisional Needs Behind Hesitation<\/a><\/em>
by Heba Aref<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Image<\/a>
Building the Exoparia<\/a><\/em>
by Henry Sharpe<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"The
Abbot Pass Hut: The Lost Heritage<\/em><\/a>
by Hossein Rasaei<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Dressed
Beyond the Carcass: Valorization of Canadian Meat By-Products<\/a><\/em>
by Ifedayo Bello<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"A
A World of Weevils<\/a><\/em>
by Jake Lewis<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Faceless in the Midst of the Feed<\/a><\/em>
by Jaron Tan<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Healthy
Vascular Rarefaction<\/a><\/em>
by Jennie Vu<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\n
\"A
Emergent Landscapes: Urban Gardens and Bicycle Infrastructure Explored in Painting through the Lens of Human Ecology – Material Culture<\/a><\/em>
by Jill Thomson<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Cartoon
Democracy on the Ballot<\/a><\/em>
by Kathryn Kincaid<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Cash
The Economics of Literary Value<\/a><\/em>
by Kevin Kvas<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Grayscale
Flowing Insights: Illuminating Turbulance in Sewer Airflows<\/a><\/em>
by Khaled Mohamed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Numerous
Green Crab Galore<\/a><\/em>
by Kiara Kattler<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Aerial
Nature’s Quilt: Patterns of Regeneration<\/a><\/em>
by Kyle Dues<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Gloomy
3D Food Printing: A New Outlook on Life<\/a><\/em>
<\/a>by Laura Lopez-Aldana<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Fluorescent<\/a>
Electrical Activity in an Armillaria Ostoyae Rhizomorph<\/a><\/em>
by Liam Easton<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"From
From Core to Pore: How Water Moves Through Tiny Spaces to Displace Oil<\/a><\/em>
by Lixing Lin<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"An
Using AI for Improving Precision Health and Medical Decision Making<\/a><\/em>
by Mahvash Siavashpour<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Tectonic Therapy: When Immunity Shifts the Ground Beneath<\/a><\/em>
by Manar Elsayed<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Behind the Visible Curve<\/a><\/em>
by Mariam Ezzat<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Two
Under the Same Sky: Echoes from a Remote Fishing Community<\/a><\/em>
by Marina Banuet-Martinez<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Microscopic
Oleosome Moon<\/a><\/em>
by Marlon III Mallillin<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Weaving Her Own Path: a Journey towards Empowerment and Self-Reliance<\/a><\/em>
by Masoma Akbari<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Swirling
Layer by Layer: The Thermal Symphony of Metal 3D Printing<\/a><\/em>
by Mia Abdulla<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Fibre
When Asphalt Breaks, Fibres Step In<\/a><\/em>
by Mohamed Saleh<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Engineer
Revolutionizing Computer-Aided Design with AR-CAD: The Future of Interactive Design<\/a><\/em>
by Muhammad Talha<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Satellite
The River’s Pulse: Tracking Change from Space<\/a><\/em>
by Nafeez Islam<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Reel-to-Reel-to-360\u00b0<\/a><\/em>
by Natasha D’Amours<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Hope and Hazard: Women Entrepreneurs in the Heart of Violent Conflict<\/a><\/em>
by Omima Elkailani<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"Bacterial
Selective Voices: The Positive Colony Speaks<\/a><\/em>
by Prabhsimran Singh<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
The Dance of the Nanobubbles: Illuminating the Microscopic World<\/a><\/em>
by Prithviraj V<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
Where Precision Meets Possibility<\/a><\/em>
by Pulkit Kumar<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"A
On the Edge: Balancing Privacy and Fairness in Machine Learning<\/a><\/em>
by Rabeya Bosri<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Garmin
Bridging the MILES<\/a><\/em>
by Ritika Sharma<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"Illustration
Tracing Footprints through Flooded Soil: Climate-Induced Migration in the Sundarbans<\/a><\/em>
<\/a>by Rohini Chatterjee<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\n
\"Microscopic
Worm World<\/a>
by Sara Biddle<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Trying
The Rise of Echo Fusion<\/a><\/em>
by Sharanya Balachandran<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Plasma
Where Energy Meets Matter: Visualizing Plasma in Action<\/em><\/a>
by Shivani Sonkar<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\n
\"A
Thirsty Forests: The Invisible Side of Drought<\/a><\/em>
by Sofia Moreno Pi\u00f1a<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Image
When Violence Disappears<\/a><\/em>
by Tristan Mula<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Actors
Theatre for Change<\/a><\/em>
by Valentine Ukoh<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\n
\"A
Blurred by Breathing, Restored by Learning<\/a><\/em>
by Varsha Kesavan<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"An
Ho\u02bbokupu: An Offering to T\u016bt\u016b Pele<\/a><\/em>
by Vivian Giang<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"Mixed
The Blurring of Imperfect Pieces<\/a><\/em>
by Wanas Radwan<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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\"A<\/a>
Edge of Survival: Caribou and Climate Change<\/a><\/em>
by Wendy Zou<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"An
A Blooming ‘Canola Painting’ Beckons – Even to Pests<\/a><\/em>
by Xinlong Dong<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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\"A
A Mind Reaching Out<\/em>
<\/a>by Zijia Yu<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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