{"id":7900,"date":"2020-11-13T07:00:05","date_gmt":"2020-11-13T14:00:05","guid":{"rendered":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/?p=7900"},"modified":"2020-11-05T14:34:36","modified_gmt":"2020-11-05T21:34:36","slug":"raise-up-valerie-mason-john-social-justice-poet","status":"publish","type":"post","link":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/2020\/11\/13\/raise-up-valerie-mason-john-social-justice-poet\/","title":{"rendered":"Raise UP: Valerie Mason-John, Social Justice Poet"},"content":{"rendered":"\n<p><em>In today&#8217;s contribution to the University Press Week Blog Tour (November 9-13), we share a poem from <\/em><br><em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.uap.ualberta.ca\/titles\/973-9781772125108-i-am-still-your-negro\" target=\"_blank\"><strong>I Am Still Your Negro: An Homage to James Baldwin<\/strong><\/a> by spoken-word poet, author, and public speaker Valerie Mason-John. This year University Press Week celebrates the ways in which university presses help Raise UP a variety of voices and ideas. When considering today\u2019s theme of \u201cActive Voices,\u201d Mason-John\u2019s collection resonates on many levels, highlighting how a reappraisal of our collective past, which so often overlooks or writes over marginalized voices and experiences, is so absolutely necessary for our current moment.  <\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>&#8220;You have to decide who you are and force the world to deal with you, not with its idea of you.&#8221; James Baldwin<\/p><p>&#8220;I have been trying to bridge cultures, genders, sexualities, all my life.&#8221; Valerie Mason-John<\/p><\/blockquote>\n\n\n\n<p><\/p>\n\n\n\n<p><em>I Am Still Your Negro <\/em>is a blend of spoken word and page poetry that traverses history, geography, and culture, centred on Black female queer identity and the broader experience of the African Diaspora. Called &#8220;<a href=\"https:\/\/quillandquire.com\/review\/i-am-still-your-negro-an-homage-to-james-baldwin\/\" target=\"_blank\" rel=\"noreferrer noopener\">rigorous and confrontational<\/a>,&#8221; this collection also has moments of self-critique, exuberance, and joy, and actively seeks to continue the work of those artists, writers, and ancestors that came before. With poems that stretch across several continents and decades, Valerie Mason-John uses her voice to speak truth, honour histories, and bring harmony and healing to a generation of people traumatized by the legacies of slavery.<\/p>\n\n\n\n<p>Prescient in its anticipation of 2020&#8217;s protests against systemic racism and police brutality, <em>I Am Still Your Negro<\/em> is poetry that pushes for social change. It is the medium we need right now. Poetry offers a way to empathize with one another and to make sense of the conundrums in our fractured world. In poetry we hold onto experience and histories, however devastating, and also seek a way forward, moving from hate to love, from pain to acceptance. Poetry is active; it borrows from oral tradition and the stage; it plays with language and sound, written words and line breaks; it names, revises, or over-throws what is unnamed or what is given. Poetry urges change, in individuals and in communities. All of those elements are at play in Valerie Mason-John&#8217;s work and in her poem &#8220;Self-Portrait 2: CALL ME MY NAME,&#8221; which you can read below. Be sure to hear her <a href=\"https:\/\/youtu.be\/ctNp8kAXnwY\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/ctNp8kAXnwY\">read<\/a><a rel=\"noreferrer noopener\" href=\"https:\/\/youtu.be\/ctNp8kAXnwY\" data-type=\"URL\" data-id=\"https:\/\/youtu.be\/ctNp8kAXnwY\" target=\"_blank\"> the piece<\/a>, too! <\/p>\n\n\n\n<p>By sharing the strength, resilience, and pain of her ancestors, Valerie Mason-John actively raises UP voices that will no longer stay silent. <\/p>\n\n\n\n<p>Thank you for sharing your work with us, Valerie! University of Alberta is proud to help bring your work to a wide&nbsp;audience. <br><\/p>\n\n\n\n<p><br><strong>Self Portrait 2<br>CALL ME MY NAME<\/strong><br><br>My Queerness is part of my identity<br>The love of my chosen families<br><br>My Queerness is nature\u2019s resplendence<br>The flowering of my ancestry<br><br>My Queerness is being out of the closet<br>The karma of my queer-bashers<br><br>My Queerness is the emancipation of all beings<br>A fact of life<br><br>Queer, Zami, Adofuro, Yan Daudu, Ikihindu<br>Our Pride before Colonizers came<br><br>Gender Fluid, Non-Binary, Genderqueer, Gender Variant,<br>Intersex, Agender, Bigender, Transgender, Pangender, Third<br>Gender, Gender Neutral, Two-Spirit, Mx, Ze, Hir<br>Is what we reclaim<br><br>My Queerness is your fear<br>My courage<br><br>Your exclusion<br>My embrace<\/p>\n\n\n\n<p>Your shame<br>My pride<br><br>Your fantasy<br>My reality<br><br>Your perception<br>My revelation<br><br>Now say my Name<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In today&#8217;s contribution to the University Press Week Blog Tour (November 9-13), we share a poem from I Am Still Your Negro: An Homage to James Baldwin by spoken-word poet, author, and public speaker Valerie Mason-John. This year University Press Week celebrates the ways in which university presses help Raise UP a variety of voices [&hellip;]<\/p>\n","protected":false},"author":81,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7900","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/posts\/7900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/users\/81"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/comments?post=7900"}],"version-history":[{"count":23,"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/posts\/7900\/revisions"}],"predecessor-version":[{"id":7943,"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/posts\/7900\/revisions\/7943"}],"wp:attachment":[{"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/media?parent=7900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/categories?post=7900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.library.ualberta.ca\/ualbertapressblog\/wp-json\/wp\/v2\/tags?post=7900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}